2012 is my year of productivity. Yeh right. She says that every year. I want to get WIPs finished rather than sat around doing nothing. Whether that's so I can use the quilts or give them away as gifts, I'm sick of seeing half finished stuff cluttering up my studio. This quilt was started last year, and then left as just a few blocks as I got distracted (as usual). My best friend asked me to make a quilt for a friend of hers who was expecting a baby. The only stipulation was that she's not a fan of colour. Yikes. That's not my kind of deal at all. I am not a neutrals person, you only have to walk into my house to know I'm a fan of jewel tones and bold prints. I remembered these blocks and thought I could finish this up and it should be perfect. There's a little touch of colour amongst all the neutrals.
Before you think it's the not yet released
Summersville - it's not, it's Lu's screenprinted fabrics from her
etsy shop.
I used
this as wadding. It's a fusible on both sides bamboo blend batting. It was quite tricky to find, in the end I got it from
here, it arrived really fast considering it came from the US and via Amazon.
So, what did I think of fusi-boo?
For small quilts like this one, and pillows, etc it's great. You have to layer the quilt sandwich and then set the fusible stuff with a steam iron. My ironing board is a pretty decent size, and for this size quilt it worked ok but for something bigger I think it'd be tricky, if not impossible to get a flat result all over without bubbles or puckers. It worked best when I worked from the centre out, like the instructions say to do, and then when I'd fused it from the front, flipping the quilt over and doing the same on the back. Smoothing out from the centre to the edges as I went. I also popped a safety pin in each corner, just to hold the edges a little better.
Once basted the quilt was stiff. Rather like the effect with basting spray, so quilting on a regular domestic machine with the edges rolled up wasn't a problem for this size, but on a larger quilt that stiffness might be problematic. Time was against me, I had an evening to get the quilt finished with quilting and binding, so I quilted in organic lines spaced approximately 2" apart. I'd have liked to have it more densely quilted, but any more and I'd have been sat up all night binding!
The batting smelled a little bit funny, not unpleasant, but not lovely either. I guess that was the glue because once I washed it the smell was gone. After washing, the quilt was wrinkled up just perfectly (all the photos are after washing), and was a lovely drape. The weight is similar to a warm and natural cotton batting - nice and light (which is my preferred weight, I don't like a lot of loft).
I added a little label (thank you again
Julie for your tutorial and for making these for me because you know I'm a dork. Love you heaps xxx) that was framed with some leftover strips, and bound with kona snow (I added one tiny square of summersville to break it up).
The baby (girl) was born this weekend. I hope she gets many years of use out of the quilt. I always feel a little nervous making quilts for people I don't really know, but fingers crossed it gets used to death and not just shoved in a closet!
Quilt deets -
finished size 48" x 48"
fabrics used - a variety of
neutral kona cottons by Robert Kaufman,
Summersville screenprint fabrics by Lucie Summers